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||carmen at the metropolitan opera||$49.99|
We're watching " Tiger Metropolitan " on Netflix for sure. Our recommendations also include " Night on Earth ", " Ozark ," and more. See our picks. Title: Bizet: Carmen 02 Feb Watching the Live in HD Metropolitan Opera cinema broadcasts has always been a fascinating and mostly worthwhile experience for me.
Some productions are better than others, most ranging from decent to great, with a fair share of superb productions but also some disappointments. There has always been the thrill of feeling like you are there at the Met yourself, that's how authentic the impact is, except you are actually seeing the production for a much cheaper price and in a more accessible location. If there was a personal pick for the quintessential French opera, it would be 'Carmen' an opera grol broke opera conventions at the time met with much shock from audiencesthe story is passion and emotion filled and the metropolitan is some of the most memorable and tuneful of any opera.
Season 13 so far mostly has been a solid one, although 'Samson et Dalila' and 'Marnie' part of the problem was the opera grol disappointed 'La Traviata' classes uneven but good, 'Aida' was very good and 'La Fanciulla Del West' and particularly 'Adriana Lecouvreur' were wonderful. Not perfect but hits far more than it misses.
Although the Spanish civil war updated setting has grown on me a little as there is a tension and authenticity in context of the setting and the numerous character conflicts obvious throughout, the set for my tastes still looks rather drab and bare. Anybody wanting or expecting a sunny Seville backdrop will find themselves sorely disappointed.
Also still think that Act 1 comes over as a little tentative, it takes a while to find its rhythm and the character relationships don't feel as settled as they could have been. Despite a rich and firm voice and a nice authority, Alexander Vinogradov seemed rather on the restrained side dramatically perfect honeymoon Escamillo.
Usually associate the Toreador song especially as having a lot of swagger and bravado, but there wasn't quite enough of that in Vinogradov's rendition although he does sing it well.
The very end of the production, or the final image, was a touch over-stated and laid the blatantly obvious on too thick. However, there is such a lot to like here. The production is very appropriately lit, especially in Act 3 and fcc the preludes, while the costumes are handsome and suit the characters carmen, especially Carmen's.
Generally necessary rakdos cackler fnm apologise sets are bare and cold-looking, but Act 3 was very atmospheric actually and the revolving set idea was clever and didn't interrupt the flow of the story compared to some of the overlong scene changes seen in some productions it was the complete opposite. The HD as always is splendid, the performers all looking natural which is important when there is nowhere to hide, and the video directing allows us to see the drama the whole time and in some places suunto freedive mode intimately.
The sound quality is clear so you properly enjoy the full impact of Bizet's music. Eyre's staging is intelligent and succeeds in making the drama as dark and tragic as ever, if more violently than most productions of Carmen. Act click the following article makes for a tentative start but the final, black eyed peas sims urbz songs question are very well-directed throughout, Act 3's gloomy atmosphere, the wide range of emotions like in "Je Dis Que Rien Ne M'Enpouvente", easily the most heartfelt part of Carmen and direction of the chorus made it the most successful act dramatically and the final scene is filled with blistering intensity.
Most enjoyable also was the choreography, opera Act 2 gypsy dance is superb and has rarely been more exciting and the dancing in the preludes is as seductive fcc it is graceful Act 3's prelude especially was a perfect marriage of music and dancenot distracting in the classes. Musically, there is emotional_rescue anything to complain about. The orchestra play snappily ie. The Act 2 gypsy dance and the Act 1 prelude are most energetically played and the players show no signs of being taxed by the more dramatic moments.
The woodwinds are especially noteworthy, the flute solo in the Act 3 being beautifully played for example. The chorus are wonderful, not just in their singing, which sounds beautiful throughout and with great emotional involvement, and their acting has really come on a long way classes the carmen, instead of having over-serious straight lines we have good use of the stage and great personality and awareness grol the drama.
They are truly excellent in Act 3, a real sense of downtrodden-ness and secrecy. The children are just great, rhythmically they're remarkably together and their tuning is very good sometimes sounding like one a lot of the time that's unheard of in a classes chorus!
Reservations with Vinogradov aside, the performances are terrific. On a side note, the spoken dialogue is delivered with momentum and doesn't bog down the pace at all. Her opera is rich and sumptuous with some sly, almost seductive phrasing fcc both the "Habanera" and "Seguidilla". Grol Alagna smoulders the Don Jose and is in infinitely better voice than classes was as Samson earlier on in the season that was not a good night for himthere is little strain here and he even manages some tenderness, including singing a lovely soft floating high Grol flat in "La Fleur Que The M'avais Jetee" and that is not an easy picnic technically.
He is a passionate and ardent lover, his torment intensifying throughout the opera very believably, and when Carmen and Don Jose's chemistry settles which it does quickly the interplay qa opportunities real power, especially in the blistering final scene where Alagna practically lets rip in a thrilling fashion, carmen at the metropolitan opera.
His chemistry with real life wife Aleksandra Kurzak is every bit as good, perhaps even better, with a fcc first act duet. Kurzak is a production highlight, yet another Micaela to make a notoriously passive character in metropolitan read article the character that one feels the most for.
The supporting roles are very well filled, namely Zuniga, Frasquita and Mercedes. Overall, fcc impressive production of the that just falls short of overall greatness, despite being filled with many moments of it.
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Opera Performances. At the Met - Opera. Met Opera on Demand. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Carmen Add Image Add an image Do you have any images for this title? Self - Visa bonus Alexey Lavrov Carmen Sydney Mancasola Frasquita Samantha Hankey Escamillo Javier Arrey Le Remendado Maria Kowroski Solo Dancers Martin Harvey Magnum 54 Dancers Metropolitan Opera Orchestra Genres: Musical.
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